Can anything even more magical happen in the already charmed career of Los Lonely Boys? You bet. It’s called Rockpango, their first self produced long player on their own LonelyTone/Playing In Traffic Records. And yeah, it’s magical indeed.

At least as magical — and maybe more so — as debuting in 2003 with a multi-chart gold single, selling millions of albums, winning a Grammy,racking up reams of critical acclaim, opening for The Rolling Stones, and many more accomplishments for the Texican rock’n’roll trio of
brothers. Plus playing and recording with such legends as Willie Nelson and Carlos Santana, associations that give a strong hint at what’s at work here on Rockpango.

The trademark Los Lonely Boys genetic vocal blend is deeper, richer, more fluent and confident than ever. The rhythms are utterly irresistible as well as flush with smart syncopation and muscular drive, abetted on some tracks by tour percussionist Carmelo “Melo” Torres. The brothers’ songwriting skills stamp indelibility on every winning number. And Henry Garza goes even beyond what Guitar World
hails as being a “guitarist with chops out his ass who doesn’t care about chops [and] just opens up and plays.” Joined by veteran Austin player Riley Osbourn on keyboards, Los Lonely Boys deliver and more on Rockpango.

And after eight years of championship seasons, Rockpango paves the way for Los Lonely Boys to enter the rock’n’roll pantheon of legendary musical artists while also remaining true to themselves. “We’re still Lonely Boys,” JoJo insists, chuckling in agreement that they are also now Los Lonely Men who have truly come of age on their latest. “We’re still family, we’re still three brothers, we’re still doing what the good Lord has blessed us with, and that’s singing and playing for people who really want to listen.”