The construction of this status has started in 1990, when the trio used to live in Rio Grande do Sul state. The start in metal came as inheritance from their oldest brother, that already like bands such as Black Sabbath and Dio. By the steady listening to their records the three Krisiun’s musicians enjoyed the sound and, of course, the cover drawings. Like all headbanger, their youth was marked buying records ot their favourite groups. To increase the collection, it was necessary to invest a great part of the salary that the guys receive from the first jobs. Alex couldn’t wait the pay day to go straight to “Megaforce”, one of the first stores specialized in Rio Grande do Sul capital.
From there, he took a great part of the Krisiun’s influences. The most important two albuns they were influenced by was Slayer’s “Show no Mercy” and Morbid Angel’s “Altars Of Madness”. Both records have transformed the life of the Krisiun family, showing a new and fascinating face of the old and good metal. The roaring voices and the instruments played with so much energy and velocity instigated one immediate reaction.
It was time to get more closer to their idols. Without money to buy good equipments, the band worked at the beginning with simple instruments. The metal underground raised up at a euphoric period in Brazil and fanzines started to cross the country. Krisiun has entered the scene keeping contact with other brazilian bands and fanzines. The idea was grow up in the underground and show the band’s concepts all over the world: play the real metal. Soon, the style of Krisiun was melded, with the velocity and the power of what was named death metal together.
By learning everything themselves, Alex, Max and Moyses did the first demo tape “Evil Age” (1991). The next year, a second tape – “Curse Of The Evil One” (1992) – was recorded. Since then, the requests from the underground didn’t stopped. Knowing that S